Greywalker film/TV option renewed for another 6 months. (*small squee*) Hoping for further exciting news on the work front.
June 16, 2016
June 15, 2016
June 6, 2016
The second half of my Round Table Podcast, the Workshop Episode, is coming up tomorrow!
May 31, 2016
I’m on the Round Table Podcast “20 Minutes With…” segment today with Dave Robison and Heather Welliver!
May 26, 2016
Whoohoo! I’ll be on the upcoming “20 Minutes with…” interview at Round Table Podcast this coming Tuesday, May 31!
May 2, 2016
Some people still think I should write the dragon story I was kidding around about last year, so here’s part of it, just to show that I’m really not an epic fantasy writer, nor a comedy writer, alas.
March 8, 2016
We have a cover!
My short story “Peacock in Hell” is part of this amazing anthology, Shadowed Souls, that will be released in November (and you can preorder it at Amazon, Barnes and Noble, or your favorite Indie!). I’m in great company, here. Edited by Kerrie Hughes and Jim Butcher, with stories by Jim, Tanya Huff, Erik Scott de Bie, Kevin J Anderson, Rob Thurman, Seanan McGuire, Jim Hines, Lucy A. Snyder, Anton Strout, and Kristine Kathryn Rusch.
March 4, 2016
February 29, 2016
I was exchanging replies to a post on Facebook with a reader and he asked about my editing process, because I am currently struggling with a tough revision. I have been tearing chunks out and rewriting to a tight deadline and the process is frustratingly ugly—it always feels like two steps back to take one forward, even if that isn’t the truth of it. The reader asked if that was my usual process and I had to say, “yes and no” essentially. That may be my process as a writer, but as a fiction editor, it isn’t. (And yes, editing fiction is not like editing non-fiction—they’re related, but different beasts.)
As a fiction editor—and as a crit partner, writing coach, or workshop instructor—my job is not to put my stamp on someone else’s work, but to help the writer realize their own goal for that work. So I have to approach with respect and care. I make suggestions and observations more often than changes. I point out places where an opportunity was missed or where voice or a structure could be strengthened, where information was missing, muddy, or heavy-handed, where pieces might be swapped, characters or arcs adjusted, inconsistencies, “clangers,” and so on. I also make sure that the writer is aware of the things that they did well—because it’s easy to forget to say “Oh, did you know this is Damned Fine Writing?” I never take someone else’s piece apart and rebuild it. That’s the writer’s job and it’s a necessary process in improving as writer.
But when I start revising or editing my own material, I’m both writer and editor at the same time and I have to listen to advice, weigh it, and analyze both the advice and my own work, as well as revising, cleaning, fixing, and re-building. I’m a lot more brutal on my own work, because no one else can be. The other aspect of editing my own work is using what I learn from reading, analyzing, and editing the work of others. So critiquing or editing my peers is part of my process of becoming a better writer, and after that a better crit partner, better editor, better workshop leader, better coach, and a better writer… And back full circle, endlessly.
Writing and editing (or critiquing) are cooperative processes, not adversarial. I learn from each to do the others better and I treat each writer I crit or edit as I would like to be treated by my crit partners or editor.
February 25, 2016
The Kickstarter for Upside Down: Inverted Tropes in Storytelling is finally live! Hurray! Look at that great list of authors, editors, artists, and essayists shaking up the clichés and tropes of genre fiction–including one by me! Go, make it happen!